Friday, 3 December 2010

Director/Costumes: Layla El-Alami     
Contact number: 0796118798 
Email: layla.el7@hotmail.com

Producer: Derryl Swaby
Loaction: Media Suit
Unit call: 3.34pm     
On location: 3.55pm
Set: White backdrop
Camerman: Haroon Ahmed/Layla El-Alami
Editor: Nawid Obaydi
Makeup Artist: Layla El-Alami


Artist: Princess Landa, performed by Simone
Dancers:
Simone
Jigar

 Chris


Kiana
Transport: Walkin/Bus if necessary

3.30pm                              Call
3.55pm                              Meet in the Media Suit
                                          Load Equipment/Set
                                          Location Contact: TJ, Lory, Dan
4.00pm                              Unload Equipment             
                                          Set and Light
4:05pm                              Hair and Makeup for artist
                                         Hair and Makeup for Dancers
                                         Rehearse AND Shoot
7:00pm                             Pack up and return all equipment








                                                         






Wednesday, 24 November 2010

SHOOT/Call Sheet #4

Looking at the footage of which we captured, we don't have enough of our artist lip singing and other dancers. In order to put this right I have contacted the dancers Haroon, Nawid and Derryl (who isn't coming) to let me know when they're free so we can finally shoot everything we need.







Director/Costumes: Layla El-Alami
Contact number: 07961118798
Email: layla.el7@hotmail.com

Producer: Layla El-Alami
Location: Media Suit
Unit call: 10.30am- 9th December 2010
On location: 11.00pm- 9th December 2010
Set: White backdrop
Camerman: Haroon Ahmed/Layla El-Alami
Editor: Nawid Obaydi
Makeup Artist: Layla El-Alami
Artist: Princess Landa, performed by Simone
Dancers:
Jigar
Paige

Chris
Kiana
Transport: Walkin/Bus if necessary

3.30pm Call
3.55pm Meet in the Media Suit
Load Equipment/Set
Location Contact: TJ, Lory, Dan
4.00pm Unload Equipment
Set and Light4:05pm Hair and Makeup for artist
Hair and Makeup for Dancers
Rehearse AND Shoot
EVALUTING 4TH SHOOT:

Finally, we've captured all the footage we need. I've called a group meeting to meet at the media editing suits at 15:30 after college in order to look over it and to log and capture parts we would want to keep in our video.
7:00pm Pack up and return all equipment

Monday, 22 November 2010

3RD SHOOT

Thankfully, the second shoot went successfully! Due to our determination and organisation, we were able to get all we needed to do done (realising our mistakes from our previous shoot). We arrived prompty at the Media Suit by 12.00pm, however it did take rather long to set up. Derryal (producer) had to be at a meeting, Nawid (editor) had only one hour to spend and Haroon (cameraman) wasn't going to come until 13:00 (one hour after). It was up to me to keep everyone energetic (specifically the dancers), adjust the lights so that there was minimal shadow in the white back drop. This was finally achieved by using two filler lights.

Saturday, 20 November 2010

Call Sheet #3

Director/Costumes: Layla El-Alami
Contact number: 0796118798
Email: layla.el7@hotmail.com

Producer: Derryl Swaby
Location: Media Suit
Unit call: 11.45am
On location: 12:00pm
Set: Black screen
Camerman: Haroon Ahmed
Editor: Nawid Obaydi
Makeup Artist: Layla El-Alami


Artist: Princess Landa, performed by Simone
Dancers:
Simone

Chris

Paige

Kiana
Transport: Walkin/Bus if necessary

11.30am Call
12.00pm Meet in the Media Suit
Load Equipment/Set
Location Contact: TJ, Dave, Dan12.05pm Unload Equipment
Set and Light

12.10pm Hair and Makeup for artist

Hair and Makeup for Dancers
Rehearse AND Shoot
1.50pm Pack up and return all equipment

Wednesday, 17 November 2010

Evaluation of 1st and 2nd Shoot

Looking back no the tapes, we have A LOT of work to do. The dancers where not in frame, the ligthing was too bright, our location had unwanted objects (radiator covers) which would make it almost impossible to edit out. Due to this, we had to rescheduale another shoot. We've may have lost a lot of time, however, we are now more prepared and organised and understand what to do straight away.

SPECIFIC FAULTS:

I found that using three cameras wasn't as effective nor efficient as using one or two. We should run through it a good 3 times and we (cameraman) needs to have one/two cameras - one close up and one in mid long shot in order to get the subject in the correct frame. I'll also be keeping an eye on the cameras (going behind them to look at the screens) to check if the dancers are in frame.

The dancers were lit too bright, almost distorting their faces. As we will now be in the green room (with a black backdrop), we need filler lights to get rid of any shadow and we should adjust the main lights that would give a good contrast.

Monday, 15 November 2010

Green Room

We've now found an all new 'Princess Landa', because the girl who was suppose to mime has collapsed a couple of days ago. I've found another potentially good dancer who has very kindly agreed to be our artist for the shoot.

HOW OUR SET LOOKED

GREEN SCREEN:
In order for the green sheet to stay in its place, we used little chair desks to secure the corners (so it wouldn't roll back up).
View P1010879.JPG in slide show
 
 

View P1010881.JPG in slide show









CAMERAS:
We used three cameras for the shoot, two on tripods (Haroon & Derryal) and the hand held camera was held by me, simply because I have the most steady hands in the group.

View P1010876.JPG in slide show  View P1010875.JPG in slide show


LIGHTS:
We used filler light to lighten up the green screen as it reduces the amount of shadow. We found that these lights gave a glowing effect on both the left and right side which needed to be reduced. We came up with the idea of covering them with something quit transparent, so there was no too much but not too little ligght coming through.


View P1010877.JPG in slide show
View P1010878.JPG in slide show

Saturday, 13 November 2010

Shot Types/Camera movement

Main shots that we will use for our video/why:

1) Close ups: Face to reveal detail in expression (use to cut in). Also close up would be used to enhance body movement (possibly sexual parts to reinforce the sexual side of the dancehall genre)

2) Mid close-ups:  This would be done by showing the subjects waist and above (shoulders, neck and face). This would be used in various parts in the video revealing costume as well as face

3)Mid shots:   This would be used not to convey a message in the video, but simply because the media suit is  too small to be taking long and mid long shots (because the back drop would be out of
                       frame).

Things I shall inform our cameraman (and myself)

Beware of Using Excessive Zoom:
It might look good whilst shooting and using a lot of zooms, however in the final edit zooming often looks cliche, and unless the footage is shot with a steady hand (or a tripod) it may look amateurish.

The use of different angles and perspectives:
This will be effective for our fairly fast paced video as straight cuts from different angles will make sections more exciting and up tempo.

Friday, 12 November 2010

Location

DRAMA HALL/BEACHIn the drama hall, I intended to have a 'try out' shoot, for example have one or two of the dancers dancing, and seeing if the black curtains are easy to edit. There's also alot more space in this locations as dancers need as much room as possible.  Another reason as to why I've chosen to shoot it in the hall, was because there's a lot of different/effective lights which will lighten the subject well enough without creating shadow.

For precautionary reasons, I've alsochosen to shoot in the Media suit, where we can use green screen


.MEDIA SUIT/GREEN SCREEN

Green screen became the favourite in the video world because digital retained more detail in the green colour channel. It also requires less light (than blue screen which is mainly used for films). In the pass decade the use of green has become more dominant in the use of special effects.

Why use green screen?
The reason as to why green screen is so popular (especially now with new developing technology) is because the location/setting is changeable through the use of digital software.


(Picture taken from musicsmartstudio.com)

Sunday, 7 November 2010

Hair/Costume/Choreography

I've contacted all the dancers, given them the song and asked them to come up with routines/dance moves to do on the shoot. A majority of the dancers take a Performing Arts course, which is an advantage to both them and us, as participating in other dance related activities, their overall grade moves up.

Whilst looking at various reggae/dancehall and hip-hop videos, I've analysed their hair styles, makeup and costume. The majority of these videos have women dressed sexually, for example, short, tight revealing clothing. This mainly due to the fact that the media industry is dominated by males, hence why most of the time the media portrays women as sexual objects. 98% of reggae/dancehall music videos reinforce the idea that women should be seductive and are portrayed as sexual objects to men.


For our video, I asked 100 people (50 females and 50 males from the ages; 16-25) :

'IF YOU WERE TO WATCH A NEW REGGAE/DANCEHALL MUSIC VIDEO SUNG BY A FEMALE ARTIST, WOULD YOU PREFER OR NOT TO WATCH WOMEN EXPRESSED (THROUGH CLOTHING & DANCE) SEXUALLY?'

Likely: 54%
Unlikely: 46%

Now I asked the same people a slightly different question:

'IF THE MUSIC VIDEO CONTAINED VERY TALENTED WOMEN EXPRESSING EMOTIONS THROUGH DANCE, HOW LIKELY OR UNLIKELY WOULD IT BE FOR YOU TO WATCH IT?'

Likely: 89%
Unlikely: 11%

I asked one more question in order to decide on how the dancers would dance and what they would wear:

'WOULD YOU PREFER FOR FEMALES IN A MUSIC VIDEO?'

Less Clothing: 22%
Not too less but not too much clothing: 58%
Completely covered: 10%


PRINCESS LANDA REPLACEMENT/DANCER: SIMONE

MAKEUP: Suttle, as she is wearing glasses (covers her eyes).
COSTUME: Shorts, rolled up tank top to reinforce the modern 'ghetto' look which correlates to the song.
JEWELRY: Colourful chain and big silver earrings to represent the dancehall/urban fashion.

FEMALE DANCERS COSTUME:
1) White tank top, black leggins (easier to move in and defines body movements).
2) Fitted/short-ish dresses to enhance curves and movement
3) Heels to enhance the length of legs

Preferably in black and white as the video will be in black and white

MALE DANCERS COSTUME:
1) Baggy t-shirts to enhance movements
2)Jewlery: Necklaces/chains etc to juxtapose the song's lyrics


DANCER 2: KIANA




DANCER 3: CHRIS




DANCER 4: PAIGE


DANCER 5: KAI



Having past experience in the dance industry, I told/choreographed 3 of the dancers and our artist (Simone) to do the same specific move - but filmed individually. I can then edit them down to very quick straight cuts in order to really enhance the hype of the beat. It would aslo be the signiture move of the video.

Wednesday, 3 November 2010

Call Sheet #2

Unfortunately, due to our artists' busy schedule (work etc), she was unable to attend to the 1st rehearsal. We then had no choice but to find someone who could be our 'Princess Landa' as we were pushing for time. Luckily, one of the girls' who was originally a dancer in our video, agreed to step in and take the role of the artist.


Director/Costumes: Layla El-Alami
Contact number: 0796118798
Email: layla.el7@hotmail.com
Producer: Derryl Swaby
Loaction: Drama Hall (Beach)
Unit call: 3.30pm
On location: 4:00pm
Set: Green Screen in order for it to be edited afterwards


Camerman: Haroon Ahmed
Editor: Nawid Obaydi
Makeup Artist: Tanika Fearon
Artist: Princess Landa, performed by Belle


Dancers:
Simone
Yannik O'Holi

Zarah

Chris
Kiana
Transport: Walkin/Bus if necessary

03:00pm Call
04:00pm Meet in the Media Suit
Load Equipment/Set
Location Contact: Leanne (head of the arts)
04:15pm Unload Equipment
Set and Light

09:50am Hair and Makeup for artist

Hair and Makeup for Dancers
Rehearse AND Shoot
6:45am Pack up and return all equipment

Risk Assesment

Production/Person(s) involved: Music Video/Layla, Derryl, Nawid, Haroon, Artist, Dancers, Makeup Artist

 
Shoot Date(s): Friday 5th November
                       Wednesday 10th November

 
NATURE OF HAZARD:          PREVENTIVE MEASURES:         IF OCCURS:
Loose wires                           Tape all wires on the ground  -               Tape all wires               
Spillage of food/drink             No food or drink in the set   -                 Remove all food/drink from premises
Cameras falling/dropping        Secure ALL camera before shoot-         secure every camera/tripods
Lights being too bright            Make sure no one looks directly -          dim lights
                                              into them

Friday, 29 October 2010

Call Sheet

TUESDAY 2ND NOVEMBER

Director/Costumes: Layla El-Alami     
Contact number: 0796118798 
Email: layla.el7@hotmail.com
Producer: Derryl Swaby
Loaction: Drama/performing art hall; Beach                                    Unit call: 10:00am
                                                                                                     On location: 11:00am
Set: Hall with white/black sheet (maybe edited after)
Camerman: Haroon Ahmed
Editor: Nawid Obaydi
Makeup Artist:  Tanika Fearon
Artist: Princess Landa, formally known as; Ylanda
Dancers:
Simone
Yannik O'Holi

Diane

Chris

Belle
Transport: Walkin/Bus if necessary

09:00am                                 Call
09:30am                                Meet at Beach
                                             Load Equipment/Set
                                             Location Contact: Leanne (head of the arts)
09:45am                               Unload Equipment             
                                            Set and Light

09:50am                               Hair and Makeup for artist

                                            Hair and Makeup for Dancers
                                            Rehearse AND Shoot
12:00am                               Pack up and return all equipment
                                                         



Sunday, 24 October 2010

Storyboard/Treatment/Goodwin's Theory


'Storyboard - Originally, a series of drawings that lay out the sequence of scenes in a film, especially an animated one, but now any sequence of drawings or diagrams, as to illustrate the sequence of events in an accident or as a flow sheet for computer programming; To create and arrange storyboard drawings'

http://www.google.co.uk/search?hl=en&defl=en&q=define:Storyboards&sa=X&ei=vNTKTO87ib2MB73cgdgP&ved=0CBgQkAE


Realistically, the first step in bringing out the animation you want to create is through a storyboard.  Storyboards prove to be a very good reference tool while making any animation/video/film etc. They can also enhance a buzz and excitement about the previous release of which may heighten the attention of the inventors too.

Storyboards are simply drawings. These drawings are essential to any storyboard as they reflect the visual element of the end product. Multiple drawings are required in order to bring out the actual depiction of one's ideas. The drawings should be clear, easy to understand and they should highlight the attention aspect in the storyboard.

EXAMPLES OF STORYBOARDS:












THE STORYOBARD I DREW FOR MY GROUP: 


                              






TREATMENT/LYRICS:

(BEFORE SONG STARTS)

It's an up tempo song - so in the verses, I wish for the edits/straight cuts to go in time with the beat so it will be fairly fast then a little slower in the chorus to break down the straight cuts.
TEXT: 'Princess Landa' - drip of fade effect to 'No Time Fi Dem'

Yoo tun me up tun me up
Introduction: 'Princess Landa' ripple effect into 'Featurinf in' Fade in 'No Time Fi Dem'
Unuh can hear mi out deh
ah princess landa dis Side shoot/close up of artist's neck/face To all ah di girls dem Straight cut to 2 different females posing (attitude) - Flowing camera movement to look as though the audience is looking at them from a boy's perspective north wezzy we seh straight cut to artist's close up side shot mimingstraight cut to 1-2 different females posing with attitude to reinforce the title 'no time fi dem' (no time for them)Verse 1

Rewind edit to go in sync with the rewind sound from the track I got no dam ******** time fi dem  close up of artist with an expensive watch - points/shows the watch when she says 'time fi dem' Any time dem see mi dem a talk behind mi back again straight cut to artist in different costume mimingMe nuh to mind so me lose of ah di whole ah dem straight cut to a section of female dancer's body Coz any thing dem want dem tek di **** f idem straight cut to another dancer - upper body/face Mi nuh beg nuttin from no bwoi so no bowi can call mi own straight cut to artists miming with attitude to reinforce the meaning of the lyrics Anytign me warn me tek mi time and den mi sort it out
Mi nuh owe fi mi money and fi yuh man mi nah go argue bout straight cut to to girls/dancers in frame whispering something to one another Mi tell a dutty gyal fi shout yuh mout cut to artist and have upper body and head in frame. Whilst miming, bring up hand do a 'shut your mouth' gesture True dem love mix up dem a walk and a talk mi an mi family dem straight cuts to 3 different body sections of dancers (1 second per dancer).
Watch ah how we live dem all a penny mi and mi bredda dem 3 straight cuts to 3 different dancers - different body disections.
Ah two brudda mi love mi begga ah ***** to go pree dem because  straight cut to the artist miming salasie send dem

Chorus
- Breaks down - slighter slower edit wise!
fade to the artist herself - miming and place both hands sliding on her sidesMi she ah dutty gyal dem nuh fi be about nuh longa cross dissolve effect on the artist walking towards the camera  dem too to  likky straight cut to dancer doing the same hand gesture as artist liiky and dem belly to anga. straight cut to artist miming with attidude (holding collar up etc) What dem a we do fi money mi nuh need fi go unda no man ah ride me like Honda .so me she ah dutty gyal dem nuh fi bout nuh longa dem too likky likky and dem belly to anga what dem ah do fi money me nuh need fi go unda.nuh of dem good like landa .
di dutty bwoi dem nuh fi be about nuh longa dem too likky liiky and dem belly to anga. What dem a we do fi money mi nuh need fi go unda no bwoi ah ride me like Honda .so me she ah dutty gyal dem nuh fi bout nuh longa dem too likky likky and dem belly to anga what dem ah do fi money me nuh need fi go unda.nun of dem good like landa . Artist pushes males out of her way to reinforce that she hasn't got time for time. Then title again 'NO TIME FI DEM' in balck and white so that it 'stamps' the meaning of the song/video.


GOODWIN'S THEORY

Goodwin suggests that lyrics will make constant reference to what’s being visually seen on screen. These visuals reinforce what lyrics say. An example of this the use of mise-en-scene in our video is from 0:30-0:35 where the male dancer is flashing his jewellery and there are straight cuts to our artist who portrays the correct facial expression and gestures (with hand) of ‘not caring’ ‘Me take nuttin’ from the boy so the boy couldn’t call m’own”. Translated: I take nothing from a guy so he can’t claim me his.



Video Influences/Looking at music videos

I've researched hip hop, dancehall, reggae and urban popula music videos. The main reaosns as to why I decided to look into video musics is to analysis the camera movement, action/composition, lighting as reasons why these are done (what relation does it have to the song and artist).

Here's a video from Sean Paul's debute single; 'Watch them Roll'. The video very well reflects on the lyrics to this as it's talking about watching women come up to him and dance. I chose this video to analyse because the lyrics revolve around the artist.

Another music video I looked carefuly into was Destiny's Childs' song; Soldier. This song can easily be compared with the song from Princess Landa as they're raising their status - looking for soldiers but in Princess Landa's case, no time for anyone who isn't worth her time. (Ni time Fi Dem)


However, sticking to the genre; Dancehall and reggae, I've look at music videos of this genre.








http://www.youtube.com/watch?v=Yia7vaSOeGU

I like the idea that the video is in black and white and colour edits in the sequences. It gives and uptempo and contempory vibe to the music video.


 YouTube link for Princess' Landa's Song ;
'No Time Fi Dem'

Friday, 15 October 2010

Other Artist Comparisons

View All Photos | Ce' CileAnother artist I've found is a well known Jamaican snger; Ce'Cile. Her music, as well, dominate the; reggae and dancehall genre. This Jamaican diva has consistently been tipped as the woman who's most likely to join Dancehall's men in the mainstream.  Style,grace, intelligence, creativity, attitude and flare for controversy are all key components for a budding diva. Already having a handful of hit singles in Jamaica, her albums are also released worldwide in countries such as; Japan and in Europe. With her North American/Caribbean style like album 'Waiting', is most likely to increase her stardom popularity.

Looking at this image on the left, she's wearing a mid-cut bright yellow dress with green accessories. The yellow could relate back to her culture as yellow is one of the colours of the Jamaican flag. The use of low key lighting gives her a define contrast, which particularly compliments her cheek bones.


One of the main reasons as to why I chose Ce'Cile to compare to our artist, Princess Landa was not only because of their Jamaican orientated taste in music and style, but lyrically, they're music familiarise with eachother, for example, Ce'Cile's debute single; 'Nah stress Over Man'  really relates to Princess Landa's song; 'Ni time Fi Dem'. In both of these songs, the ladies are challenging mainstream ideas about women independence.

Looking at the image on the left, she's challenged mainstream conventions through the use of mise en scene, in this case; hair,makeup and especially her clothes. She's covered and is dressed in an almost classy mannor. This suggest that she's and independent woman (like our artist Princess Landa). The background juxtaposes her outfit as she looks quite stylish but the background looks a little corrupty with the posters and graffiti. However, looking at this image more carefully, her pose is rather seductive and suggests something sexual, again reinforcing mainstream ideology of females in society.


Her debut single 'Nah stress over Man' :

Comparisons

I've been doing a lot of research on female urban reggae artists (about them and their music) in order to compare them to our artist. Vanessa Bling, a.k.a Gaza Slim is a  popular upcoming talented dancehall urban
artist who's collaborated with many well known dancehall artists such as; Vybz Kartel, Popcaan and Sheba.

Gaza Slim, formally known as Vanessa Faddler, is 18 and grew up in the Lawrence Tavern community in St.Andrews. She concerntrated more on business-oriented subjects in high school before graduating in 2008. She attended the Grant Hill Pentecostal church in Lawrence Tavern where she took part in the choir. At high school, she was also part of the choir and as soon as she left school, she decided that she wanted to become a professional singer.

''Interestingly, she recorded her first song, Only God Knows with the controversial comedic tag team of Twins of Twins two years ago. And now that she has joined the hottest crew in dancehall today, the Portmore Empire, her stocks are on the rise.'' http://www.entertainmentvybz.com/

From looking at this poster/magazine advert of her, I can see that she's wearing revealing clothes which reinforces female representation (the fact that women should dress seductively in order to attract men). In this image, a famous Jamaican rapper/singer/producer, known as Vybez Kartel is standing behind her. This also reinforces that women need a man to be behind them in whatever they do (especially to become successful).  The way Gaza Slim is posing instantly draws the audience attention to the mid/upper part of her bod (her stomach and breasts). This again reinforces the idea that women are only seen as sex symbols and objects for males in society.  Her jewellery

http://www.youtube.com/watch?v=Ae6i6353Rus




Here, her makeup is very bright and colourful (from colourful eye shadow, to fake thick eye lashes, to bright pink and purple lipstick/gloss). This could reinforce her cultural side as (some) Jamaican females wear very olourful makeup and hair to make themselves stand out and to keep the spirit of Carnival.

However, this concept of bright hair and makeup reinforces the idea that women should always look good in order to please men.


Marketing Aims

the marketing aims for a magazine advert are: Target consumers, unique selling point, attention/awareness, interest, product and promotion. I will discuss about each marketing aim in detail.

Target consumer- the target consumer for the magazine advert will be aimed at young teenagers at the age range of 16-25 years old. The magazine ad will attract the audience by effective codes and coventions of the genre explored such as the colourful writing, jewellery and american style clothing which attracts the UK audience. It will also entice the consumer by making reference to other rap magazines that young teenagers read daily such as XXL magazine and VIBE magazine where intertexuality will play a role in all of this.

Unique Selling Point- I will differeniate the product from many other magazine adverts by allow a wider range of reader demographics so just because the music video is on a 17 year old boy rapping doesn't mean that girls wouldn't be able to consume the product. Predominatly the magazine advert will be targeted to young teenage boys but I will also make the ad be accessible to young teenage girls that have an interest in rap.

Attention/Awareness- I will intend to make people aware of the product by word of mouse and word of mouth and by sending out copies of the magazine advert to the potential audience to allow me to receive audience feedback on what the potential consumers think of the advert.

Interest- I will make the magazine advert interesting, exciting and informative so that the potential audience can understand what meaning I am trying to convey. Interest in the magazine will be achieved through secondary research of what is involved in other rap magazines so that I could follow these codes and coventions in making an effective advert.

Product- The product is a magazine advert where there will be an artist photograph and it will include a colourful background ambience. I would like to use the colour red and black for the magazine advert with a bit of white in it.

Promotion- this advert will be distributed to the potential audience through download on internet from facebook, my space links and i tunes.

Demographics/Primary Research

In order to find out how to make our product sell, demographics were needed in order to find out what our target audience wanted in a music video/CD. To achieve this I put together a survey to see what their views and opinions were in order to make a succuessful music video. I asked 250 people on the streets of Harrow from the ages f 16-25.

250 PEOPLE IN TOTAL

Here are the questions that were asked and their response.

1) Would it be more likely for you to watch a music video if it contained seductive female dancers?
    Yes: 190 No:160

2)Which genre do you prefer; Dancehall/Reggae or Rock/Heavy metal?
   Dancehall/Reggae: 210       Rock/Heavy metal: 40

3)Do you think female solo artists' are successful in the music industry?
   Yes: 212   No: 38

4)How well-represented are women converyed throught music videos?
   Not at all: 60      Sometimes: 120    Very: 70



Due to the fact that our target audience are males nd females from 16-25,



SECONDARY RESEARCH is finding already PUBLISHED DATA or INFORMATION. There are a large number of SOURCES of DATA or INFORMATION. You should use a range of SOURCES.

Planning the First Technical Rehearsal

Planning the first rehearsal is a big responsibilty. It's about getting everyone together to have a run through of everything in which we plan to do in the video which includes; lights, camera movements and composition.

I've called up all the dancers we needed and they've all agreed to meet up and have a run through. Haroon (camerman) booked; one crane, 3 Panosonic cameras and three tripods. The reason I decided to have three cameras was so that we could shoot the video from different angles (perspectives) and edit them together. There would be one camera in the centre, one on the left and one on the right. The centre camera will be fixed onto a tripod.
I've booked the location in which we intentend to use which will be the drama hall (Beach) as it's a reasonable size and has professional lighting and black backdrop curtains. The curtains will come in handy as we've decided to make our video black and white (with colour edits). These curtains also do not appear to have creases in when being filmed which makes it alot easier.

Here's a brief set up of our location/equipment used:

THE SECOND SIDE CAMERA:

 THE LIGHTS:

 THE LIGHTS' CONTROL:

Chase Scene

As part of getting used to using the camera and edited it on Final Cut Pro, we were set an exercise to shoot a 'chase scene'. We used the college grounds as our location which included the; benches, car park, canteen and inside buildings. When shooting a chase scene, it's not entirely necessary to shoot the person getting chased the person chasing him/her in the same shot. Straight cuts are very effective in a situation like this as u can film one person running in a specific location, then, shoot the other person after to look like they're chasing them.

Wednesday, 13 October 2010

Planning and Research


Reggae

''Reggaeton lyrics tend to be derived more from hip hop than dancehall. Like hip hop, reggaeton has caused some controversy, albeit less, due to alleged exploitation of women,[7] and to a lesser extent, explicit and violent lyrics. Further controversy surrounds perreo, a dance with explicit sexual overtones which is performed to reggaeton music. Perreo was the subject of a national controversy in Puerto Rico as reggaeton music and the predominantly lower class culture it derived from, became more popular and widely available.'' http://en.wikipedia.org/wiki/Reggaeton

During the planning and research stage, we all agreed to look at different CD covers of reggae/hip hop artists/bands. I've looked at composition, camera angles and edits an have found that reggae CD covers use a lot of; bright colours, females posing seductively and wearing revealing clothing. This image reflects the explicit lyrics about male sexual desires and reinforces how women are mainly used and seen as sexual objects. The bright colours used are to represent the colours of reggae culture; Jamaica.


Looking at these images, I believe they're inappropriate in regards to the lyrics of Princess Landa's song - which is significantly about women independence. However, the idea of using colours such as; green, red and yellow would target an Afro-Caribbean audience. Overall, our target audience are males and females;16-25 year olds and in order to achieve this, bright colours for the CD front cover would be used to attract our target audience.
Here are some examples of famous Reggae CD covers I looked at:



Dancehall

Dancehall is a popular and well known genre in Jamaica. It's a more sparse version of reggae and it also speaks on the subject of; politics and religion but in an indirectly manner; which is associated with the Rastafarian movement (which dominated most of the 1970's). Dancehall has been critized from international organisations and individuals for its violent and anti-homosexual lyrics.

'In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall (or "ragga") becoming increasingly characterized by faster rhythms. In the mid-1990s with the rise of dancehall BoboShanti artists such as Sizzla and Capleton, there developed a very strong connection between dancehall and Rastafarian.'



Tuesday, 12 October 2010

Background Research on Our Artist

BACKGROUND RESEARCH
BORN AND BRED IN NORTH WEST LONDON.

PRINCESS LANDA

I’ve searched all over the internet to try and find some sort of background information about our artist. This was difficult as she is unsigned and hasn’t got a lot of recognition from the public yet. Luckily, browsing through YouTube, I found a clip of Princess Landa being interviewed by Rudie Rich on ‘Sun up Radio’. This interview was fundamentally about the viewers getting to know the artist herself and about her hit ‘Ni time Fi Dem’. This gave me an idea as to what person she’s like, what her intentions of the song were and her overall perception of her music. She admits to not being a DJ before this song and prefers to be classified as a singer and song writer. With this song in particular, it was ‘unplanned’ and describes the song as ‘having fun’. According to her, most of her music in general is about having fun and are about things/topics that other people may hesitate to talk about.


‘Ni time Fi Dem’ means ‘No time For Them’. This song obviously revolves around the artists. She’s talking not having time for anyone, that she doesn’t need anyone as they’ll just hold her back. When I hear this, I visualise men trying to get the attention with materialistic objects, for example; money, jewellery, male (dancers) showing off their looks of which the artist would push them away. I can imagine dancers re-enacting movement when males ‘try it’ with them but they would show that they’re not interested. Because this song is specifically about the artist, there should be a strong use of mise-en-scene of which every person in the video should use/wear in order to show this.

A LINK TO HER INTERVIEW WITH RUDIE RICH:

http://www.youtube.com/watch?v=JYuhiVpwhRQ

 Looking at this image, she's wearing a very hung low top showing clevege. However, her breasts are not hightlighted with bright lights or enhanced with extra padding etc. From this image, she's obviously not a size '0', which already in a way is challenging mainstream conventions of young females artists on the whole. However, being a dancehall/reggae female artist, her suductive pose and cleveage reinforce mainstream ideas of female artists as being sex figures for men.

For our music video, I intend to do both; reinforce mainstream ideas about female dancehall/reggae artist in order to attract the Jamaican (and other) cultures which reinforce this idea in their society. I also intend to challenge mainstream conventions and in order to this I will think abuot the mise-en-scene of the video in more depth.
Here's her interview with Rudie Rich talking about her single 'No time Fi Dem' and 'The Streets'

http://www.youtube.com/watch?v=JYuhiVpwhRQ